Das Schaudepot

Menu

Remember

The Schaudepot – Spezial V – Die Gesellschaft (The Society), Kodak et al., 18.3.2023, 2-8 p.m.
The Schaudepot – Spezial V – Die Gesellschaft (The Society), Kodak et al., 18.3.2023, 2-8 p.m.: Schaudepot Special presents, among other things, in the afternoon ‘The Society’ and ‘The Children's Society’ with guests from around the world, an ‘An idea lab on the potential of virtual reality for blind and visually impaired persons’ by and with Steven Solbrig, Matthias Nagel and guests. In the evening we look forward to the reception on the occasion of the German Theater Award ‘Der Faust’ for ‘Das Schaudepot’ and the presentation of the new performance ‘Kodak’ for adults and children by and with Jorge Alencar and Neto Machado!
The Schaudepot – A…or…NO…farewell tour
The Schaudepot – A…or…NO…farewell tour: Together with guests, Melanie Mohren and Bernhard Herbordt walk from the Theater Rampe to the Schaudepot. This is the place that – by the way – has also become an archive of the collaboration between Herbordt/Mohren and Theater Rampe over the past ten years.
The ‘Blinding Virtual Reality?’ lab. On the potential of virtual reality for blind and visually impaired persons by and with Steven Solbrig, Matthias Nagel and guests / 18.3.2023, 4:00-5:30 pm.
The ‘Blinding Virtual Reality?’ lab. On the potential of virtual reality for blind and visually impaired persons by and with Steven Solbrig, Matthias Nagel and guests / 18.3.2023, 4:00-5:30 pm.: Together, in this idea lab, we explore the potential of performative formats of virtual reality for blind and visually impaired people, and look for a plot, for initial impulses for a digital storytelling and performing. 
Kodak von Jorge Alencar and Neto Machado
Kodak von Jorge Alencar and Neto Machado: ,Kodak‘ is a performance for kids in which 100 colorful archive boxes build a world of giant legos or a Mindcraft universe, in continuous construction. They turn into buildings, labyrinths, theater sets and whatever else is needed. From within them, more and more surprises emerge that multiply the possibilities of thought, perception and movement.
‘Theater aus dem Schaudepot. Performance-Perlen archiviert’ by Dietrich Heissenbüttel, CONTEXT Wochenzeitung 614 of 4.1.23 (in German). “The Schaudepot for the Performing Arts is a unique place where the audience can explore theatre in a very special way. Bernhard Herbordt and Melanie Mohren have archived their pieces there. And they are available for a guided tour or a program at any time. (Dietrich Heissenbüttel, CONTEXT Wochenzeitung 614 of 4.1.23 (in German)). Die Gesellschaft (the Society) by Herbordt/Mohren, with the theatre collective ‘The Trailer’ (Karina Pino and Alessandra Santiesteban) and Ebru Nihan Celkan, 11.2.23, 4-6 p.m. In the Schaudepot you can expect: an introduction ‘The Society’ as a performance and a new research society with Melanie Mohren and Bernhard Herbordt; an encounter with a society member; a video archive of all previous encounters; the opportunity to become a society member yourself, or to propose one. And a society game. You will only feel imagined rain on your palms or start a conversation with a prolonged silence. German Theatre Prize ‘Der Faust’
German Theatre Prize ‘Der Faust’: We’re delighted to have been awarded the German Theater Award ‘Der Faust’ in the category ‘Genrespringer’ (genre jumpers) for ‘Das Schaudepot’!
The Schaudepot – Special IV – The Society a.o., 8.10.2022, 2–8 p.m.
The Schaudepot – Special IV – The Society a.o., 8.10.2022, 2–8 p.m.: The Schaudepot - Special presents, among many other things, ‚Die Gesellschaft’ (The Society) as a new performance with live audio description in the Schaudepot in the afternoon and looks forward to a lecture by Azadeh Sharifi in the early evening. 2-8pm. For adults and children!
Reading in the Void - Marginalized Artists in Germany - Zoom Lecture by Azadeh Sharifi, 8.10.22, 6 p.m. (broadcast live at Schaudepot)
Reading in the Void - Marginalized Artists in Germany - Zoom Lecture by Azadeh Sharifi, 8.10.22, 6 p.m. (broadcast live at Schaudepot): Which artists and artistic productions have been and are being collected and archived in Germany? Whose art and cultural production is racialized, ethnicized and marginalized? And how can this void be dealt with?
The Schaudepot - lunch break The Schaudepot always opens on Wednesdays for a quick performance during the lunch break. The offer also includes tactile guided tours, performances with audio description or in German sign language. Individual appointment from 12: 00 to 14: 00 at info@die-institution.org. The Society (Die Gesellschaft) von Herbordt/Mohren
The Society (Die Gesellschaft) von Herbordt/Mohren:
What is the Schaudepot?
What is the Schaudepot?: A library of performances – to browse, borrow or experience live
The Festival by Herbordt/Mohren
Tutorial Takdir. The recognition by Ülku Süngün
Tutorial Takdir. The recognition by Ülku Süngün: At the Schaudepot you can expect: a site-specific installation with the interactive video “Tutorial Takdir. Die Anerkennung” (2021, 5 min, Credits: Open Process/ASA-FF e. V, Chemnitz), which will be expanded with further videos and image material of different performances as well as their use in the context of activist actions. Props of the performance, including a large-format banner and certificates, question the archiving of a performance without the presence of the artist.
Architectural Description in text and Image. Room by room, from big to small. The Play by Herbordt/Mohren
The Play by Herbordt/Mohren: ‘Das Stück’ (‘The Play’) documents and establishes a fictional institution. ‘Das Stück’ is performed in various formats for spectators and a publication. At the Schaudepot as an audio walk.
The Assembly by and by Herbordt/Mohren and guests
The Assembly by and by Herbordt/Mohren and guests:
Ableism as Usual? Introduction to the History of Art and Disability, a lecture by Steven Solbrig and Dirk Sorge
Ableism as Usual? Introduction to the History of Art and Disability, a lecture by Steven Solbrig and Dirk Sorge : How were people with disabilities negotiated, treated and portrayed in the past? What does all this have to do with the visibility of art and culture with disabilities today? How is ableism reflected in society and art? Which artists with disabilities are currently actually visible in the German art and culture sector, who and where not? And what does it take for the equal recognition and participation of artists with disabilities? For example, what would an art history with a disability look like?
Opening, 4 July 2021
Opening, 4 July 2021: For the first time, the Schaudepot can be visited on site and in person. With guided tours, discussions, performances and culinary offers.